Skip to contentIn the End We Are All But Worms
Follow the composition from piano and cello to electric guitar, a restrained groove, and the final produced edit.
Listen to the five studies
Vol. 1 — Piano and Cello
2:57
Grand piano with one soft cello layer, preserved unchanged.
Vol. 2 — Fuzz Guitar and Cello
2:57
The same musical performance converted to warm fuzz guitar, with soft cello.
Vol. 3 — Guitar Cello and Drums
2:57
Adds restrained drums placed on the actual performed accents and phrase endings.
Vol. 4 — Producer Mix
2:57
Restores expressive touch, softens lower-mid congestion and gives the quieter phrases more space. Same three instruments.
Vol. 5 — Dynamic Syncopated Master
2:37
Guitar, support guitar, cello, explicit low bass, and audible kick accents build through intro, peak, breath, climax, and release sections.
Earlier metal arrangement
Recording credits
Original piano themes and performance by Jonathan D. Taddei. Programmed guitar and drum arrangement. Salamander Grand Piano samples by Alexander Holm, FreePats conversion, processed under CC BY 3.0. Guitar and drum sounds: GeneralUser GS by S. Christian Collins.